Ever since I first read Alvin Schwartz’s Scary Stories to Tell in the Dark, I have been enamored of all things weird and creepy—so much so, in fact, that when I grew up, I started writing my own weird, creepy things! As a writer, I am drawn to horror that is shaped by its characters’ inner worlds, stories that explore the monsters in our heads, as well as our closets. The books on this list will haunt me for years to come. I hope that they will haunt you, too.
I was utterly spellbound by this book, seduced by its atmosphere of excruciating dread. Its precocious teenage protagonist, Nathalie Waite, is a poster girl for the power of denial. She responds to a horrifying experience at a garden party by retreating into the safety of her own bizarre imagination. Her determination to reinvent herself is a clear product not only of the trauma that she has endured but also of her fear of enduring it again.
Terse, grim, and inscrutable, this novel is Jackson at her opaque best.
Shirley Jackson's Hangsaman is a story of lurking disquiet and haunting disorientation, inspired by the real-life, unsolved disappearance of a female college student.
'Shirley Jackson's stories are among the most terrifying ever written' Donna Tartt, author of The Goldfinch
Natalie Waite, daughter of a mediocre writer and a neurotic housewife, is increasingly unsure of her place in the world. In the midst of adolescence she senses a creeping darkness in her life, which will spread among nightmarish parties, poisonous college cliques and the manipulations of the intellectual men who surround her, as her identity gradually crumbles.
I have never read a Stephen Graham Jones book that I didn’t like, and this book is one of my favorites. This meditative and elegiac novella is a time-bending story about loss, family, cycles of generational trauma, and the many complicated ways in which we repeat the mistakes of our parents, whether we want to or not.
At the end of its 130 pages, I felt as though I had been shot through the heart in the best way possible.
Blackfeet author Stephen Graham Jones brings readers a spine-tingling Native American horror novella. Walking through his own house at night, a fifteen-year-old thinks he sees another person stepping through a doorway. Instead of the people who could be there, his mother or his brother, the figure reminds him of his long-gone father, who died mysteriously before his family left the reservation. When he follows it he discovers his house is bigger and deeper than he knew. The house is the kind of wrong place where you can lose yourself and find things you'd rather not have. Over the course of…
The premise of this book is amazing—a therapist brings a group of horror movie-style survivors together for a therapeutic experiment—but the execution is even better. I love the natural and inevitable way that Gregory links his characters’ stories and the empathy with which he explores their psychological (and physical) scars.
There is a lot in this book that is grim, but there is also a lot of hope. Maybe none of us are completely fine, but none of us are completely broken, either.
World Fantasy Award Winner Shirley Jackson Award Winner
Harrison was the Monster Detective, a storybook hero. Now he’s in his mid-thirties and spends most of his time popping pills and not sleeping. Stan became a minor celebrity after being partially eaten by cannibals. Barbara is haunted by unreadable messages carved upon her bones. Greta may or may not be a mass-murdering arsonist. Martin never takes off his sunglasses. Never.
No one believes the extent of their horrific tales, not until they are sought out by psychotherapist Dr. Jan Sayer. What happens when these seemingly-insane outcasts form a support group? Together…
How far would you go in pursuit of connection? This was the question I was left with after reading this tense and brutal story collection that includes tapeworms, self-crucifixions, and a series of dangerously escalating bets.
Over the course of three unnerving stories, LaRocca explores themes of loss, loneliness, and how humans react to both with stomach-churning gusto, leaving me both horrified and enthralled. Not for the faint of heart and definitely not to be read while eating (I found this out the hard way).
Three dark and disturbing horror stories from an astonishing new voice, including the viral-sensation tale of obsession, Things Have Gotten Worse Since We Last Spoke. For fans of Kathe Koja, Clive Barker and Stephen Graham Jones. Winner of the Splatterpunk Award for Best Novella.
A whirlpool of darkness churns at the heart of a macabre ballet between two lonely young women in an internet chat room in the early 2000s-a darkness that threatens to forever transform them once they finally succumb to their most horrific desires.
A couple isolate themselves on a remote island in an attempt to recover from…
This lyrical and unsettling novel is about the things we inherit, both from our families and from the world around us, and I was firmly under its spell from the very first line. I was particularly enamored of Oyeyemi’s characterization of the Silver house, a monstrosity of a building (and one of the book’s narrators) that literally consumes the women who live within its walls. What, after all, is trauma but a kind of haunting, and what is the mind but a kind of house?
Haunting in every sense, White is for Witching by Helen Oyeyemi is a spine-tingling tribute to the power of magic, myth and memory.
High on the cliffs near Dover, the Silver family is reeling from the loss of Lily, mother of twins Eliot and Miranda, and beloved wife of Luc. Miranda misses her with particular intensity. Their mazy, capricious house belonged to her mother's ancestors, and to Miranda, newly attuned to spirits, newly hungry for chalk, it seems they have never left. Forcing apples to grow in winter, revealing and concealing secret floors, the house is fiercely possessive of young…
The year is 1901. After a series of personal tragedies, Ada Byrd—spinster, schoolteacher, and amateur naturalist—takes a job in the isolated town of Lowry Bridge. There, she hopes to rebuild her reputation as a respectable woman in a place where no one knows her secrets.
But Lowry Bridge has secrets of its own. There are voices calling from the trees, creatures hunting in the dark. Something ancient and nameless lives in the woods that surround the town, and it wants Ada. As its grip on her tightens and the line between what is real and what is unreal starts to blur, Ada wonders if she can escape the thing that haunts her—or if she wants to escape at all.
I’ve adored reading a good snarky first-person story since I first read Bloodlist, so long as the snark doesn’t go too far and become total unlikeable jerk… It can be a fine line!I hope I stay on the right side of it, but having read it enough and written in it for years with my Blood Rights Series, I feel qualified to say I’m a…snark connoisseur. (If you ask my family, this is how my own internal/life narrator speaks! My mother says that my character Dakota is me if I “said everything aloud that I think in my head.” She’s probably right, and I’m okay with that.)
Bad Blood is paranormal suspense in First Person Snark, so if you like sarcastic, strong female characters set in a world where the preternatural is run amok (i.e., legal citizens in the United States), then this book and series are for you.
Follow Sadie Stanton–"poster girl for the preternatural"–as she deals with all sorts of messes and sets up her business while being a vampire in a new day...or night, really.
I’m Sadie Stanton, and I don’t know why everyone makes such a big deal out of me. I’m just like everyone else—I’m trying to start a business, not spending much time on my social life, and dealing with an obnoxious roommate...
Oh, and being a vampire. There’s that. But it’s okay, because we’re all legal now.
But believe me, that doesn’t make life easy. In fact, it might be harder now than ever before, but I did it to myself… And now vampires are attacking people seemingly at random and not even trying to feed. Everyone…
